1:1 Lara Robinson
What led you to your career as an artist?
I remember the first time I was introduced to art. My grandfather, an architect, took me into the garden and taught me how to use watercolors. I was very young and have been hooked ever since. I naturally picked it up, got an art scholarship to my school, and practically lived in the art block. Obviously, I wanted nothing else, so it was the only thing I applied to study once I left school. I am addicted to painting, and the addiction only gets stronger the more I learn.
Your work is very impressionist—from vibrant colors to vivacious movement. How did you develop your signature aesthetic?
I trained at both Charles Cecil Studios in Florence and The Barcelona Academy of Art in Barcelona. These are traditional schools that teach the sight-size method. The idea was to learn the fundamentals of drawing and painting, knowing that later, I could use these skills to become an artist in my own right. Since leaving art school, I’ve loved experimenting. I find that the more I learn, the more I realize there is still to learn. My practice involves researching impressionism, producing well-considered work, and finding the most exciting way to reflect on a chosen subject matter.
Talk to me about your creative process—what’s your typical jumping-off point?
When producing work for a show, I begin by deciding on a theme. I spend time researching this theme or idea, brainstorming what I think would make the most exciting paintings. From this, I pick up the brush and just paint. I work from both life and photos. I start by blocking in the base layer, adding more paint as I progress around the canvas. Some paintings work, and some don’t. When they don’t work, it’s never as satisfying, but I always tell myself I’m learning!
You often paint commissions for private clients. How does this work?
Yes, I divide my time between private commissions and my projects. Clients usually come to me with an idea in mind—anything from a portrait to a landscape, an interior space, or a specific scene. They’re generally familiar with my style, so we’ll discuss size, timeframe, and other details. I love commissions because they provide a different perspective. It’s rewarding to create something that brings clients so much joy.
Are there any particular places you’re drawn to or excited by?
I love traveling and seeing new places. Whether it’s the seaside, bustling cities, vibrant bar scenes, or calming landscapes, I find inspiration everywhere. That said, Cornwall is a home away from home for me—it holds a special place in my heart.
What do you love the most about your work?
I love my use of color. I also enjoy challenging myself to be looser with brushstrokes. I always prefer the paintings I’ve done when they feel more organic and free.
If you could choose any person to paint a portrait of, who would it be and why?
I’d love to paint David Hockney. Growing up, he was a huge inspiration, and I feel naturally connected to him. He also has a wonderfully expressive face, full of character, and is always wearing color—something I adore.
Any upcoming projects you’d like to share?
I have two exciting projects:
1. At the end of August, I’ll be the official artist for this year’s Curtis Cup, commissioned by the R&A. I’ve painted the event’s cover artwork, which will be revealed on Sky TV, along with about 15 additional pieces.
2. In 2025, I’ll unveil a new collection inspired by stylish nightlife and bar scenes in London. It will be glamorous, enticing, and seductive. Stay tuned for more details!
OFF THE CUFF WITH LARA ROBINSON
Hometown | London
Coffee or Tea | Both—but I couldn’t live without coffee
Never without | Chocolate
Mantra | The best things in life take time
Signature cocktail | Pisco Sour
Recent Splurge | A new rug
Penthouse or Townhouse | Townhouse
Every home needs | Colored rugs and good lighting
Go-to museum | National Portrait Museum
The world needs more | Patience and color
I believe | You create your luck, and the best things in life take time.
Favourite London Neighbourhood | Notting Hill — for its energy, excitement, and civility.
Last book you read | Memoirs of a Geisha
Trip you’re itching to take | Kerala, India
Favorite restaurant in London | Dorian or 45 Jermyn Street
I’m deeply grateful for | My family and friends.
Favourite restaurant anywhere | Seafood Restaurant, Cornwall
Design is | Composing space, light, and color.
Art will| Allow viewers to feel unexpected emotions, leading to wonderful reactions.
If I were a color it would be | Orange
In the studio with artist Lara Robinson